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8 Mar 2026

From a train

 

On the train returning from my trip to Sydney -see story below- I took this photo through the train window. At the time the train was running beside Brisbane Water and I shot it with Q3 43 on the macro setting with the aperture at f16 for maximum depth of field and at 1/4000sec to the freeze the speed.

This photo made me wish that I had taken more photos from trains. With so many amazing train journeys I have missed so many great shots because I feared that reflections off the window glass would ruin them.

 Back in 2010 I was on a wonderful rural train in Italy and I did take just one shot out of the window. I never really looked at it because of the reflections. I discarded it as junk but forgot to delete it. Now it lives- using Lightroom's new AI reflections removal tool where with just one click the reflections are gone. Very impressive. All those shots I did not take could have been saved but here's the one that has been -thanks to AI.

 Taken with a Canon G9 at 1/800th sec f4.0 ISO 80


 



 

28 Feb 2026

Rainy Day

 I went down to Sydney yesterday to have lunch with a friend. He'd made a reservation at a harbourside restaurant near Circular Quay. A pretty safe bet after weeks of sunshine and heat and humidity. Well as it happened not a safe bet at all. A massive mass of moist air-related to the monsoon- had made its way south dumping rain across inland Australia and also the east coast of Victoria and New South Wales.

 It was a shocker. A long drenching downpour .The restaurant reservation was hastily changed to an indoor restaurant and I took a rain jacket and some stout shoes.

I decided to take a camera and take some rainy day photos- a real change from brilliant sunshine and blue skies.

The Leica  Q3 43 is weatherproof and I decided to try taking monochrome using the monochrome preset in the Leica Fotos setting on the camera. Below are is a selection of the photos from my short visit. I am really surprised by their quality.The preset only works on the jpeg setting-the DNG files are still colour-but the jpegs are pretty good. There is a high contrast monochrome preset and next rainy day I will try that. 

 









21 Feb 2026

Surf Boat competition

 It was a round of the Central Coast Surf Life Saving Clubs boat competition today at Terrigal Beach. I saw the competition being set up when I went down for my coffee at 7.00 am but unfortunately could not get down to see it until it was about to wrap up late morning.

It has again been very hot and very humid. I walked down to the beach with my Leica SL2 fitted with the Lumix Pro f2,8 70-200mm lens coupled to the Lumix 2x converter giving me effectively a f5.6 140-400mm lens. It's a really heavyweight combo. I soon realised that the 2x converter was unnecessary. The 70--200mm lens alone would have been adequate, but standing on a sandy beach in full sun is not a good place to start coupling and uncoupling lenses.

I just hit the beach as the last race was starting so I only manged to grab two shots. I would have liked to have had more time, but it is what it is and I could not have spent any longer standing on the beach in the sun anyway-it was ferocious.

Today the sea was very smooth. When there is medium or big surf the starts of these competitions are more spectacular however I'm pleased with these two shots and I was not stricken with heatstroke so I really cannot complain.

 



15 Feb 2026

A little monochrome

 I've been in two minds about monochrome, aka black and white, photography for years. Usually I'm not enthusiastic and consider many examples of it as pretentious but recently I've become more appreciative. 

I've seen the monochrome photos in recent photobooks by Leica Ambassadors Alan Schiller and Phil Penman and the superb book, Paris Amour, by David Turnley. Also I've seen some outstanding monochrome photos taken by one of the participants of the Leica Photo journey in Morocco which I went on last October.

I have used Nix Silver EFX software to convert colour images to monochrome for many years but with my enthusiasm for this branch of photography rekindled I recently decided to invest in the latest, and much enhanced ,edition of the software, now badged as the DoX collection, to see what I can do with it. 

I've only just installed it so it's early days in my mastering of it but here are three examples I've converted today as I explored its potential. 

The top photo of granddaughter, Poppy, studying for her HSC exams was a neutral conversion in terms of the tone of the photo. The wedding party in Myanmar has warmer tones and the portrait is more silver in tone.





 

9 Feb 2026

My first photo

 

In the past 65 years I have taken tens of thousands of photos. Indeed it may well be hundreds of thousands of photos and many have been discarded over the years but surprisingly I still have the first photo I took when I acquired my first camera in 1960. 

Back then I did a paperound, getting out of bed at an obscene early hour, often in the wet and cold -it was England -to earn money to buy that camera. A paperound involved carrying a heavy bag of newspapers round local streets delivering the right papers to the right houses. In those days there were quite a few different daily papers and weekly magazines and all hell broke loose if I inadvertantly posted the salacious and titillating News of the World through Mr Blunt's letterbox when he and his good lady wife, the rector's sister, were looking forward to some serious reading in the Sunday Times.

The best part of the round was at Xmas when I collected tips. Most householders were generous and for the few scrooges it was soon payback time when, quite inadvertantly, their papers, somehow, were left hanging half out of their letterboxes on a very wet morning. How unfortunate. Instant papier mache.

The camera I purchased with that hard earned cash was a 35mm Halina 35X. It looked somewhat like a Leica rangefinder and it even had a red dot on the front. It said it was made in Hong Kong but it was most likely made in China. The reason for the labelling was that Hong Kong was still a British colony then and so imports from there attracted a lower rate of duty. Clever people these Chinese.

I had wanted to buy an Agfa Sillete or a very nice German camera called an AretteA but both were out of my price range and I had to buy a lightmeter as well as the camera.  So instead, I reluctantly opted for the newly released Halina and to my surprise it was surprisingly good for its time and price. I have read that the lens glass was made by Pilkington in the UK but who knows? Sounds unlikely to me.

I used the Halina for about 4 years and then sold it to a friend and used the proceeds to buy an East German Exa but that's another story. 

 I know it is the first photo because there is some orange light seepage on the edge of the frame. The reason for this is that my parents gave me a present of a cassette of Kodachrome which cost very serious money and I was very anxious to squeeze as many shots as possible onto the film. I could not wait to try the camera and what better location than my home?

The house looks so prim and neat in the photo. 
Below it, through the wonders of Google Streetview, is it as it looks when the Google man drove past in recent times. The house has been extended. The front garden is a parking space. It looks sad. 
 
I am glad I have kept that first photo. When I was in the UK last year I did consider taking a train to Ewell West station to take a look at the house where I spent most of my childhood. I'm now glad I didn't. I would have been very disappointed.
 
"The caravan moves on"



 

6 Feb 2026

Warren


A portrait of my good friend Warren crafting some lightweight door handles for his Porsche in his workshop. I was really surprised to find that this photo was taken in 2016.  Warren has aged well since then and is still very much into making things however he has moved house so the wotrkshop has gone and so has the Porsche.

And so has the camera I used to take the photo-a Sony a7 -the original model. From the first day I acquired it disliked using it. My principal objection was the long and complex menu system. It was/is a camera for computer nerds not photographers. The data does not show the lens so it was probably taken with a legacy Minolta lens fitted to the camera with an adapter.

Certainly the quality of the photo is excellent but that did not convince me to persist with the Sony. I soon sold it-at a loss -and used the funds to buy a Leica X Vario -a camera which, on paper, was much inferior to the Sony but which has a very straightforward and usable menu system and a superb lens which I was really happy using.

To be fair many photographers love the Sony a7 cameras but also many feel the same way about the complex menus as I do. Each to their own.

 

4 Feb 2026

A beautiful day in California


 I found this photo whilst searching through my Lightroom library for another photo. It was taken in May 2016 in a small town, Point Reyes Station, on the coast road north of San Francisco.

We had flown to the US for a short trip taking advantage of a very good deal on flights across the Pacific.  I most definitely would not be taking advantage of such an offer today which is a pity as there so much about the US that we appreciated and, indeed, enjoyed.

We hired a car in LA and over a few days drove up the coast road to San Francisco where we stayed in Sausolito which we really liked. It was on day trip from there that we came upon Point Reyes Station one beautiful Saturday morning.

A market was in full swing when I came across this local character.  The photograph was taken with my little 12mp Leica X1 and it is a stunner. The sharpness and color rendition is so good it could easily be passed off as having been taken with a late model Leica with a current, mega costly lens. See previous story.

Leica X1 photo 1/400th sec at f5.6 ISO 100. 

 

30 Jan 2026

A tribal man.

 


The steep driveway to my home is being refurbished. The top surface coating has broken up so it has had to be ground off and then new coatings applied.

It would not be an easy job under any circumstances but the concrete grinding machine weighs 650kg and it was all the two man grinding team could do to manhandle it up the driveway. Then they spent two days grinding away in 35ºc heat and 80% humidity all the while restraining the grinder from rolling down the drive.They most definitely earnt their money.

Now the first layer of the coating is being applied by Shane whose company is doing the work. It's even hotter and more humid today but he worked on regardless-well sort of regardless.

I took the opportunity to photograph him. He is a Maori and his tattoos are tribal as is his pendant.

The photo was taken at f2.0 with the Leica SL2 with the superb 50mm APO Summicron f2.0 ASPH lens. 

26 Jan 2026

Gone Fishing!


 It's Australia Day today-26th January-and it's also India's national day -Republic Day.

The Australian Day commemorates the arrival of Arthur Phillip and his fleet to Australia.

I was hoping to have some Australia Day photos for the blog showing the packed beach at Terrigal.That was yesterday when the temperature and humidity soared. Today it's still hot and humid but not sunny so I'm sure the beach is not crowded so no photos. Sorry.

There were record high temperatures in many parts of Australia yesterday and more is forecast for today. I saw that the forecast for some places in South Australia is 48ºc and there was talk of the thermometer nudging 50ºc in the centre. Those will be the highest temperatures ever recorded for some places and already, again, bushfires are raging in many areas. 

So to cool things down it's a 'gone fishing' photo. Taken at dawn in Terrigal.

19 Jan 2026

Smudge

 A cat photo-yes but one I'm really pleased with. Smudge, the smallest of our two rescue cats photographed sitting on the kitchen windowsill keeping an eye open for birds in the olive tree outside.

I pulled out my heavyweight Leica SL2 fitted with the equally heavyweight, and superb,  APO-Summicron-SL-1:2/50 ASPH lens for the photo.Taken at 1/100sec at f2.0 - ISO1200.

Photo taken today, 19th January.